A stone in the pond
Far Flung Consequences
Just heard about the death of Canadian writer Farley Mowat, at 95.
I'm amazed he lasted so long at the rate he expended energy and intensity, from conservation of the environment to resuscitating boats beyond their sell-by date.
Back in the mid-70's during that Watergate summer, I was on the west-coast weekending in Seattle while working on a Post-Intelligencer Sunday magazine story [African Queen in Oregon - I think] and was weathered in a a girl's parents house (don't ask). That is one rainy city. Found a book with the intriguing title 'The Boat Who Wouldn't Float', inhaled it and wrote Mowat's publisher pal Jack Stewart of McClellend & Stewart - THE Canadian Publishers - querying a coffee-table art book based on Canadian maritime artist Jack L. Gray.
Lot of Jacks here, eh.
I'd met Jack Gray living aboard 'Gypsy Queen' in Palm Beach Marina one season when he was gargling Liebfraumilch by the crate, between trying to finish oil paintings of an East Ironbound dory-man sculling and hauling cod, to be viewed by the caviar-set at The Worth Avenue Gallery .
One sure way to determine if a painting at a gallery-opening was a genuine Jack Gray - just touch it.
That led to my first book-contract, a drive across Canada via the TransCan Highway from Seattle to Lunenburg, months of work, followed by midnight-oil writing/assembling, followed by second wifey's demand for bigger slice of royalty, followed by deep-six of project by publisher.
So, yes, Farley Mowat had more of an impact on me than the average author !